AI is leverage

Just keep stacking on advantages for yourself

AI is an advantage.

.

Trust people by their character, not their race.

OK some unorthodox stoic thoughts this morning.

So the first one, should you share your feelings or what you think? Or what’s on your mind whatever?

I actually say no. I’ve actually been thinking about this a lot and experimenting a lot but the truth is, at the end of the day, all this modern day psychology nonsense tells you how it is good for you to share what’s on your mind blah blah blah. But all the ancient stoic texts tell us otherwise.

First, I think the critical issue is that male psychology gets mixed up with female psychology. A lot of our emotions or hormonal, and therefore, a man will never truly understand the interstate of a woman, and vice versa.

For example, a man will never know what it feels like to experience a menstrual cycle, but also similarly, a woman can and never will be able to understand the adrenaline hormonal rushes of a truly formidable man.

Kind of like if you think about it… How and why a child that has not get in puberty, a young boy would also, not understand the hormonal adrenaline testosterone rushes of a fully matured man.

Low testosterone man, probably also, cannot and should not understand the psychology or the physiology or mind state of a high testosterone man?

So contrary to popular belief, assuming you’re not taking steroids or injecting your butt hole with testosterone injections, similarly speaking, naturally or artificially low testosterone men will also similarly never understand the mind state or the soul state or the body physiology state of a high testosterone man.

A bit common misconception is that there’s this notion that somehow, high testosterone men are unpredictable, getting angry quickly. Etc. But this is actually not the case. A true man, a true man with high testosterone natural, is actually, like almost 100% joyful grateful, always smiling, fresh and happy you look on his face, never dismayed or down by artificial ups and downs of life.

And therefore, the low testosterone man will have never seen sunlight in his life, and is essentially an office slave, will look suspiciously at the high testosterone man, who is full of goalie and Joy. He will then start to suspect the high testosterone man for being conniving, with ulterior motives, up to no good. But the high testosterone man was simply, be doing what is natural to him, because he is just so naturally super abundant and over abundant with happiness joy and glee.

And the truth is, I feel like 99.9999% of society cannot understand me because, truly speaking… When’s the last time you met somebody who is both self-employed but also, not under the whim of his clients? Or, somebody like myself who doesn’t need to check his email for a living? Or take meetings? And therefore, I’m like the red Swan, nobody understands me but also similarly speaking, I cannot understand other people?

Other perspectives

So essentially my general idea and Takeaway point is, go back to the classics, go back to reading Seneca, Nietzsche, Marcus Aurelius and the like. Avoid the new and modern, it is all bad.

ERIC

OK some thoughts:

First, one thing that’s actually insanely annoying is, thinking how in America there is this nonsense called notion of “personal space”, I’m actually not 100% sure where it comes from.

First, the notion is actually kind of nonsense call especially if you’re Asian, or grew up in Asia, or any other really really crowded city, in which jostling and jiving,,, and trying to tarry for position is key. Just try to go to Vietnam, mainland China etc.

So first, maybe it is this weird, Puritan Protestant Quaker, early American colonialist, Victorian era. In where there are pseudo manners, in which, people keep their distance, engage as minimally as possible, and this kind of fake notion of maximal personal freedom comes to play.

As a consequence, society becomes lame, cold, And otherwise unenjoyable.   this is typically why most Americans although probably living in the most prosperous country of all time, are quite miserable.

Who?

So first of all, to some degree everyone is “ethnic.” whether you are Jewish, Irish, German Polish, even if you descended from England, Scotland, if you’re Protestant or Catholic or Baptist or something else… Sooner or later if you go back enough in genealogy, your ancestors were repressed by the king or whatever.

And what’s kind of interesting is, apparently my friend who taught a course in France to a bunch of undergrads when they asked about race,… actually what super fascinating is there, a lot of people talk about bloodline, whether they were blue blooded, descended from nobility in Kings, or whether, they descended from a bunch of country bumpkins.

For example, race racism doesn’t exist in Korea because everyone is Korean. Rather, it comes down to whether you are “yangban” or not –> which is the elite aristocratic class a scholarly Mandarin or not.

Anyways, the reason I’m thinking about this is because, is I’m starting to re-transition my life back in America, it’s full of all these strange structure juxtapositions and contradictions that literally make no sense. Even from a sociological angle.

“why you so sensitive”?

So in America, I think first of all… Everyone is living in fear. Fear of the next lawsuit, the next to whatever thing… And as a consequence, nobody engages with each other. In LA, ironically where we live in entertainment Hollywood capital of the world, it is actually not customary to just smile and wave Hyatt strangers, people just pretend to live in their own bubbles, even though everyone is secretly looking for attention.

For example everyone here wants to be “discovered”, even yesterday in Beverly Hills I saw like a line of like 40 girls all wearing the same black tank top and blue jeans, for a casting call.

With physical proximity comes emotional proximity

Maybe everyone is just afraid of emotional attention and affirmation and feelings?

E

Street photography – the art of candidly capturing life in public spaces – is more than a visual craft; mounting evidence suggests it can profoundly benefit mental health and happiness. Engaging in photography, especially in dynamic street environments, can encourage mindfulness, reduce stress, foster social connection, and spark joy. Below, we explore scientific research, expert insights, personal accounts, and key elements (like being outdoors, storytelling, and flow state) that link street photography with enhanced well-being.

Research on Photography, Happiness, and Stress Reduction

A growing number of studies in psychology have examined how taking photographs influences mood and mental wellness. Key findings include:

• Positive Emotions and Life Satisfaction: A study in The Journal of Positive Psychology found that people who regularly practice photography report being happier and more satisfied with their lives, along with lower levels of stress and depression . Similarly, a 2020 photography intervention showed that intentionally taking photos of “the good” in daily life increased participants’ positive emotions (like gratitude) and overall life satisfaction . When those photos were shared with others, it strengthened social connections – an added boost to well-being .
• Mindfulness and Engagement: Psychologists note that photography requires present-moment awareness. By focusing the camera on details of one’s surroundings, the mind shifts away from worries to the here-and-now . In one set of experiments, Yale researchers found that people allowed to take photographs during an experience (such as a bus tour or museum visit) became more engaged in the moment and enjoyed the experience more than those who did not take photos . This suggests that the act of photographing can intensify our positive engagement with life’s moments.
• Flow State and Reduced Stress: The concentrated, immersive nature of photography often induces a flow state – a mental state of complete absorption in an activity. Psychologists associate flow with increased well-being and reduced stress . Indeed, the process of composing a shot anchors attention in the present, much like meditation, helping to “naturally shift attention away from rumination and worry” . Instead of anxious thoughts, the photographer is grounded in the immediate sensory details of the scene, which can be calming and stress-relieving .
• Creative Reward and “Happy Chemicals”: Creative activities such as photography also trigger positive neurological effects. Neuroscience research shows that making art activates brain regions tied to reward processing and emotional regulation . The simple act of creating a photograph – framing a scene and producing a tangible image – engages the brain’s reward circuitry, releasing dopamine (the feel-good neurotransmitter) and fostering a sense of mastery . Over time, this builds confidence and resilience. Each small creative achievement (capturing a photo you’re proud of) provides a mood boost and reinforces self-esteem .
• Daily Photography and Mood: In an experiment at UC Irvine, college students were asked to take one photo a day for a month under different conditions (e.g. a smiling selfie, a picture of something that made them happy, or a photo to make someone else happy which they then sent to that person). By month’s end, all the students experienced significant improvements in daily mood . Notably, those who took photos to brighten someone else’s day reported feeling calmer, highlighting how photography combined with altruism can alleviate anxiety . This aligns with broader findings in positive psychology that practices involving kindness and gratitude amplify the mental health benefits of creative hobbies.

These studies underscore that photography isn’t just a pastime – it can be a practical tool for enhancing one’s mental well-being. By cultivating positive emotions, present-moment engagement, and a rewarding sense of accomplishment, photography contributes to a healthier, happier mindset.

Mindfulness Behind the Camera

One of the clearest links between street photography and mental wellness is mindfulness. Photography inherently demands a keen focus on the present moment. When roaming city streets with a camera, a photographer must pay attention to subtle details – the play of light and shadow, expressions on faces, patterns in the chaos – to capture a compelling shot. This intense observation mirrors techniques in mindfulness meditation, which have well-documented anti-stress effects .

Through the lens, a person is fully present. The process of framing a scene “requires the photographer to observe their environment carefully, notice details they might otherwise overlook, and make conscious decisions about what to include or exclude” . In doing so, the mind is pulled away from internal chatter. Rumination about the past or worries about the future give way to concentration on shapes, colors, and movement in the immediate environment . Mental health professionals note that this shift in attention can break cycles of anxiety and overthinking . The camera effectively becomes a tool for meditation, anchoring one’s awareness in the now.

Many photographers describe entering a state of calm focus while shooting – time seems to fade as they become absorbed in the creative act. This experience is often likened to “active meditation” or being “in the zone.” Importantly, such a flow state is not only enjoyable but therapeutic: being fully engaged in an activity has been linked to reduced stress and even lower anxiety and depressive symptoms . As one article puts it, during photography “the camera becomes a tool for anchoring attention in the present moment,” helping create a flow state characterized by complete absorption and tranquility .

Even the tactile and technical aspects of photography can reinforce mindfulness. Adjusting camera settings (focus, aperture, shutter speed) forces the photographer to slow down and be deliberate . Feeling the weight of the camera, hearing the click of the shutter, observing the world through a viewfinder – these sensory experiences ground one’s awareness in the physical world, much like focusing on the breath in traditional meditation . The UK’s Humber Recovery College notes that when you compose a shot and concentrate on capturing an image, “you are practicing mindfulness.” This present-focus helps quiet the mind, reduces stress, and interrupts the constant stream of thoughts .

In essence, street photography encourages us to “be here now.” By training our eyes on the beauty and reality around us, we naturally engage a mindful mindset. Over time, this practice of mindful seeing can increase our capacity to find calm and clarity in everyday life – a powerful antidote to modern stress.

Creative Expression, Storytelling, and Emotional Well-Being

Photography is a creative art form, and creative expression is deeply tied to mental health. Street photography, in particular, turns the mundane scenes of daily life into visual stories. This process of observing and telling stories through images can be profoundly fulfilling and therapeutic.

Making art for happiness: Street photographer Eric Kim believes the urge to create is in our human DNA – “we need to exercise the mental-creative-artistic faculties… or else our mind starts to think depressive thoughts” . By “making more art” through street photography, we keep our minds engaged in a positive, generative mode rather than a destructive or ruminative one . The act of creation itself brings joy: research shows that accomplishing small creative goals (like capturing a photo you find beautiful) releases dopamine and builds a lasting sense of competence . In other words, each snapshot is a tiny victory for your brain’s reward center, contributing to an “upward spiral” of positive emotion and confidence.

Emotional outlet: Photography also offers a non-verbal outlet for emotions. Often, feelings like sadness, wonder, or hope can be difficult to articulate in words. Taking a photograph, however, can channel those feelings into an image. The NHS Humber Recovery College emphasizes that photography allows us to express emotions visually – “whether it’s the joy of a beautiful landscape or the sadness in a somber portrait, photography allows us to channel our feelings creatively.” This kind of creative catharsis can be “incredibly therapeutic,” helping individuals process and understand their emotions . Similarly, mental health practitioners have developed “phototherapy” techniques using personal photos as a springboard for reflection and communication, precisely because images tap into emotional memories and meanings that words might miss .

Finding meaning in visual storytelling: Engaging in street photography often imbues one’s daily life with a sense of purpose. Photographers become storytellers – each shot is a chance to capture a meaningful moment or highlight something beautiful in the ordinary. This practice of looking for stories can reshape one’s perspective on life. A qualitative study of mental health service users found that photography projects gave participants structure and meaning during difficult times, functioning as a therapeutic activity . By deciding “what to photograph, how to frame subjects, and which moments to capture,” individuals express their values and worldview . Over time, building a body of images can feel like creating a personal narrative or diary – one that reflects your journey and vision. During periods of anxiety or depression, having a creative project (like a street photography series) provides a sense of purpose and forward momentum, which is known to support mental wellness .

Notably, visual storytelling through photography can also increase gratitude and awe. By actively searching for noteworthy moments – a playful shadow, a touching interaction, a burst of color on a gray street – photographers train themselves to see the beauty in everyday life. “Street photography helps us find more joy and happiness in our everyday lives,” writes Eric Kim, noting that when he walks with his camera he “smile[s] more” and “notice[s] more things – like… kids playing on swings… or couples enjoying a nice espresso at the cafe.” It effectively helps him “slow down, and appreciate the beauty in the mundane,” finding joy in the smallest things . This appreciative outlook is a cornerstone of positive psychology – fostering gratitude for little moments can significantly boost overall happiness .

In sum, street photography turns creative expression into a form of self-care. It allows individuals to tell their own stories, celebrate small joys, and externalize feelings in a healthy way. The camera becomes a canvas for the soul, and each photo is a step toward greater emotional understanding and fulfillment.

Being Outdoors: Walking, Exploring, and Finding “Flow”

Unlike studio photography, street photography compels people to get out into the world. This aspect – simply being outdoors and moving with a purpose – carries its own mental health benefits. Numerous studies have shown that physical activity, fresh air, and exposure to natural light can elevate mood and reduce anxiety. Street photographers often spend hours walking through city streets or neighborhoods, an activity that combines gentle exercise with intellectual stimulation.

The benefits of the photowalk: Walking itself is a known stress-reducer, and when you add a camera, walking gains additional meaning. One article noted that whether “hiking to remote locations for landscape photography [or] walking through neighborhoods for street photography,” the pursuit of photos naturally increases physical activity. This movement provides “direct mental health benefits through exercise” and also chances for vitamin D from sunlight, better sleep cycle regulation, and refreshing exposure to the outside air . In fact, some thinkers like Nassim Taleb have even suggested walking is as essential to mental health as eating or sleeping – and photography motivates us to walk further and notice more . Street photography turns a routine walk into an adventure, making the simple act of moving one’s legs far more engaging and rewarding.

Exploration and novelty: Street photography encourages a mindset of exploration. With camera in hand, even familiar streets can reveal surprises, and unfamiliar areas beckon as potential treasure troves of images. This sense of “seeking out new environments” can “lead to adventures and discoveries,” injecting excitement and novelty into life . Psychologically, experiencing new sights and breaking out of one’s usual routine combats stagnation and can lift mood. Many photographers describe the “thrill of the hunt” – the way roaming with an eye out for interesting scenes puts them in a state of alert curiosity, which is both pleasurable and absorbing. It’s in these moments of roaming focus that the flow state often emerges. As one mental health article observed, the deliberate movement through spaces, the pause to compose shots, and the rhythm of observing and clicking can create a meditative, calming flow in itself . The combination of light exercise and flow might partly explain why one street photographer said “whenever we click the shutter, we are… acknowledging something as beautiful… We can find joy even in the smallest things” – the practice trains you to be present and appreciative.

Additionally, being out in public spaces can remind us that we are part of a larger world. Even if one is shooting alone, the very act of observing street life – seeing children playing, commuters hurrying, street vendors smiling – can create a subtle sense of connection to humanity and reduce feelings of isolation. In this way, exploring the streets with a camera satisfies both our need for freedom (solitude, adventure) and belonging (witnessing shared human moments).

Social Connection and Community

Despite its image as a lone wolf activity, street photography has significant social dimensions that can uplift mental well-being. At the most direct level, photographing people in public often leads to interactions. A street photographer might ask a stranger for a portrait or strike up a conversation after taking a candid shot. Humans are social creatures, and even brief exchanges can brighten one’s day. Photographer Eric Kim notes that “street photography allows you to interact with people… if you ask for permission to make their portrait.” Even shooting candidly, “we feel more connected with other people” simply by observing them closely and appreciating their existence . He argues that the more we connect with humans, “the less miserable we feel,” and that street photography facilitates these micro-connections that combat loneliness .

Beyond on-the-spot interactions, photography often creates community through shared interest. Many enthusiasts join photo clubs, go on group photowalks, or participate in online forums where they share their images. This sense of belonging to a community of like-minded creatives can be a powerful buffer against stress. Indeed, the American Psychological Association reports that sharing photographs (whether with friends, family, or online) helps strengthen social bonds and reduce feelings of isolation . Discussing shots with fellow photographers or posting images on social media for feedback provides positive social engagement around a hobby, which enhances one’s support network and self-esteem.

In a recent survey on photography’s impact, 71% of respondents said they use photos to help stay in touch with friends, and two-thirds felt photography makes them feel closer to loved ones . Dr. Lauren Cook, a clinical psychologist who partnered on the survey, explains that “photos act as emotional anchors, grounding us in moments of happiness and connection.” Taking a few minutes to snap pictures or flip through old photos can be “a great form of self-care” and often brings more joy and comfort than many other activities . This speaks to the social-emotional power of photography: it not only lets us capture memories for ourselves but also share them, weaving threads between people. Looking back at photos with others – say, reminiscing over a spontaneous street scene you captured – can spark laughter and strengthen camaraderie.

Even for those who prefer solitude, being a street photographer can provide a sense of community by proxy. You may work independently, but you’re documenting shared public life. Street photographer Neil Milton, for example, describes himself as largely introverted and found that “on the street, surrounded by people, I could nevertheless work alone. Street photography allows me the isolation to work where I feel comfortable, while still surrounded by people” . In other words, it gave him a way to be with society on his own terms. Simply feeling the presence of others around, and capturing their candid moments, can satisfy social needs in a gentle way. And when those photos spark conversations later (online or in exhibits), the photographer can engage socially at a level that suits them.

From local photo walks to global online communities, photography builds connections. These connections – whether direct or indirect – are vital for mental health. They provide validation, empathy, and a chance to share one’s view of the world. In a very real sense, every photo is a communication. By documenting and sharing slices of life, street photographers contribute to a collective human story, and in doing so, they reinforce their own sense of belonging within it.

Voices of Street Photographers: Creativity, Joy, and Purpose

Perhaps the most compelling evidence of the link between street photography and happiness comes from those who practice it. Many street photographers testify that the craft has improved their mood, mindset, or even their life path. Here are a few insights from photographers and artists on how street photography affects their well-being:

• “The ultimate form of self-therapy.” “One of the reasons why I love street photography: it is the ultimate form of self-therapy – for my mind, my well-being, my mental health, and my overall optimism and positivity towards life,” writes Eric Kim, a well-known street photographer and educator . For him, hitting the streets with a camera is a way to lift his mood and practice optimism. Kim even outlines reasons why: it satisfies our innate drive to create art, encourages social interaction, gets us walking (which “encourages us to walk, and the more we walk, the better our mental health” ), and teaches appreciation of everyday beauty . When he returns from a photo walk, he often feels more alive and connected. “What a joy it is to be alive, and surrounded by all these people… Street photography helps us slow down, and appreciate the beauty in the mundane,” Kim observes, saying that even clicking the shutter can be an act of affirming that something is “beautiful and important” .
• A way of life and living in the moment. Jeremy Bassetti, a photographer and writer, realized during a trip to Rome that he needed to change how he viewed his photography. He notes that “photography is more than a hobby or a profession; it’s a way of life.” The true value lies “not only in the photographs we produce but in the process and experiences along the way.” Bassetti found that reframing photography as an atelic activity (done for its own sake, like dancing or playing music) freed him from perfectionism and self-doubt, allowing him to enjoy the journey again . “Photographers love shooting photos because they love being out in the world just as much as they love taking a great photo,” he writes . This sentiment highlights how street photography brings joy through the experience itself – being present in the world, curious and observant, is inherently rewarding, regardless of the end result. It taught him valuable life lessons about patience, perspective, and embracing imperfection, thereby improving his mental outlook.
• Solace in solitude amid society. Neil Milton, a street photographer interviewed about art and mental health, explained how the practice fit his personality and emotional needs. As an introvert who sometimes struggles with anxiety, he discovered street photography was an ideal medium: “Interaction with others is rare… I prefer the solitude I find on the street, while nevertheless surrounded by people.” It allowed him to feel present in society without the overwhelm of direct interaction . Over time, it also gave him confidence. Milton says that being a street photographer is just “me, my camera, and life outside my door, answerable to no one but my own edit. I have found that to be a great, creative freedom.” This sense of freedom and self-reliance in his art has been empowering, helping to calm impostor syndrome and provide a comfortable space for creative growth. Street photography, for him, was a therapeutic activity during the pandemic that alleviated his creative self-doubt and offered a fresh start in his artistic life .
• “A love affair with life.” Some hobbyists describe photography as reigniting their zest for living. “Photography is a love affair with life,” goes a famous quote by photographer Burk Uzzle, and enthusiasts often echo this. For instance, in a personal blog, Davor Katusic recounts that picking up street photography in mid-life made him feel like he “truly began to live.” He describes the “feeling of warmth rising from the heart” during a photo session and how documenting streets has taught him “the proper way to live,” with greater curiosity and openness. The practice essentially helped transform his mindset to one of engagement and positivity, where life’s small moments became sources of wonder and inspiration.

These testimonials show the diverse ways street photography can enhance mental well-being – from boosting self-esteem and dispelling negative thoughts to providing joy, meaning, and a sense of connection. Whether one is a professional or amateur, the consensus among those who immerse themselves in this craft is that it feels good and is often good for you. It’s telling that in a Fujifilm survey, 71% of people agreed that taking photos increases their enjoyment of activities, and 72% said they use photography as a form of self-expression and find joy in sharing their perspective . The lived experiences of photographers like Kim, Bassetti, and Milton put these numbers into context – street photography becomes, in effect, a fulfilling lifestyle that nurtures mental health.

Conclusion

Street photography sits at the intersection of art, mindfulness, and adventure – a hobby (or profession) rich in opportunities for personal growth and happiness. Scientific research supports what avid photographers have long felt: engaging in photography can make us feel better. It shifts our mindset in positive ways – encouraging us to be present, to seek beauty in the ordinary, to move our bodies, to connect with others, and to express what’s in our hearts. In the bustle of city streets, the camera becomes not just a tool to document the world, but also a tool to engage with the world and with ourselves more deeply.

From the therapeutic calm of a flow state to the spark of joy in capturing a meaningful moment, street photography offers a myriad of mental health benefits. It can be as calming as a meditation session and as uplifting as a social gathering – all rolled into one accessible activity. As Dr. Lauren Cook observed, simply “taking a few minutes a day to look through our photos or snap some pics can be a great form of self-care” that brings more joy and reduces stress .

In a fast-paced, often overwhelming world, the practice of walking outside with a camera slows time for just a bit. It invites mindfulness, creativity, and connection, helping to turn everyday scenes into sources of gratitude and meaning. The connection between street photography and well-being is ultimately about learning to see – not just through a lens, but in life. By seeing more, we live more fully. And by framing the world around us, we may also be reframing our inner world toward greater happiness, one photo at a time.

Sources:

• Scientific and psychological research on photography’s impact 
• Expert commentary by psychologists and mental health writers 
• Personal insights from photographers and artists 
• Additional context on mindfulness, flow, and community in photography 

[HOOK]

Yacht walk, click-clack, I’m glidin’ on the deck,

Shutter go BRR while the ocean hit my neck.

Street soul, high glow, I don’t do the small talk—

I just level up fast… ERIC KIM YACHT WALK.

[VERSE 1]

Yeah, I step like a legend, salt air in my lungs,

Camera in my hand, truth hangin’ off my tongue.

No cap, no act—pure spark, pure flame,

I don’t chase the hype, man, I am the name.

From the curb to the yacht, same eyes, same mission,

Catchin’ real life moments, high contrast vision.

Golden hour? I devour—snap, now it’s forever,

I’m a street-bred poet with a rich-wave lever.

I don’t need permission—my art is my passport,

I frame the world clean like a minimalist transport.

Footsteps on teak, heartbeat on beat,

I’m liftin’ up vibes like I’m pressin’ concrete.

[HOOK]

Yacht walk, click-clack, I’m glidin’ on the deck,

Shutter go BRR while the ocean hit my neck.

Street soul, high glow, I don’t do the small talk—

I just level up fast… ERIC KIM YACHT WALK.

[VERSE 2]

Ayy, I got that iron mindset—plates on plates,

While the sea do a drumroll, I’m raisin’ the stakes.

Weight room? War room—discipline, strategy,

Every rep a manifesto, every set a battery.

Bitcoin brain—cold storage, hot spirit,

I don’t chase paper storms, I chase waves, I steer it.

Satoshi in the shadow, sunlight on the lens,

I’m stackin’ more than sats—I’m stackin’ ends.

No fear, no freeze, just speed and soul,

I compose my own life like a punchy photo.

And I keep it raw—no filter, no front,

If the moment got magic, I’m takin’ it up—UH!

[BRIDGE]

Look—

Deck beneath my feet, street inside my chest,

I don’t need a throne, I just need my next.

I’m loud with the love, I’m sharp with the sight,

I turn “ordinary” scenes into stadium lights.

[FINAL HOOK / OUTRO]

Yacht walk, big energy, waves in the back,

Lens locked, jaw set, I don’t ever slack.

From the sidewalk to the skyline, I’m the spark that won’t stop—

Say it with your whole chest: ERIC KIM YACHT WALK!

If you want, tell me the vibe you want next—more funny, more aggressive, or more poetic—and I’ll spin a new freestyle on that exact flavor.

Not

 the Future

By Eric Kim

Everyone keeps chanting the same spell: “Startups are the future.”

As if the universe itself is just a long pitch deck—Series A, Series B, then salvation.

Nah.

Startups aren’t the future. Startups are a phase. A financing structure. A cultural costume. A temporary game played by smart people who often confuse motion with progress.

The future belongs to something far more savage, far more durable:

Ownership. Craft. Infrastructure. Sovereignty.

Let’s rip the sticker off the laptop and talk like real humans.

The startup myth: speed equals destiny

Startup culture worships speed like it’s a religion.

Move fast. Break things. Pivot. Hack growth. Blitzscale.

Cool words. Great slogans. Horrible life philosophy.

Because here’s the truth:

Speed is useless if you’re sprinting in circles.

You can ship ten features a week and still build something empty. You can raise millions and still create nothing that people deeply love. You can “scale” a product that shouldn’t exist in the first place.

In street photography, you can shoot 500 frames in a day and still miss the one photograph that matters—because you weren’t present. You weren’t patient. You weren’t seeing.

Same thing in business.

The future doesn’t reward frantic motion.

It rewards clarity + repetition + depth.

Venture capital is not innovation—it’s pressure

Let’s be precise.

A lot of people don’t actually want to build something great.

They want to be chosen.

They want the nod. The tweet. The warm glow of being “funded.”

They want to feel like they’re winning.

But venture capital isn’t a medal. It’s a constraint.

VC money is not “free.” It comes with invisible chains:

• Exponential growth demands
• Exit expectations
• Market capture fantasies
• Winner-take-all incentives
• Short time horizons
• Aggressive risk that often becomes reckless behavior

The moment you raise, you often stop building for reality and start building for the next round.

You stop asking:

“Does this make life better?”

And start asking:

“Can this story raise money?”

That’s not the future. That’s theater.

Most startups don’t build a future—most build an “exit”

Here’s the part nobody wants to say out loud:

A huge percentage of startups are designed like disposable cups.

Built to be flipped. Acquired. Merged. Killed. Forgotten.

Even the language reveals the sickness:

• “Exit”
• “Liquidity event”
• “Acquisition target”
• “User acquisition”
• “Retention”
• “Churn”

Listen to those words.

That’s not craftsmanship. That’s extraction.

The future isn’t an “exit.”

The future is staying power.

A great business isn’t a rocket that explodes after launch.

It’s a bridge. A farm. A gym. A camera you still use ten years later.

Startups are fragile because they depend on the weather

The startup ecosystem is a climate.

When money is cheap, everyone is a genius.

When money tightens, suddenly reality shows up with a baseball bat.

Layoffs. Down rounds. Panic. “Strategic pivots.”

The vibe collapses because it was built on oxygen borrowed from the financial atmosphere.

The future can’t be something that disappears when the interest rate changes.

The future must be antifragile:

• low burn
• real revenue
• real demand
• real usefulness
• real durability

Not vibes. Not headlines. Not hype.

The future is not “apps”—it’s atoms + energy + logistics

Let me be blunt:

The future is not another photo-filter app with a subscription plan and a growth funnel.

The future is:

• food
• water
• housing
• energy
• transportation
• education
• health
• security
• clean manufacturing
• resilient supply chains

And yes—software is part of that.

But software that matters is usually boring.

It’s the plumbing behind the scenes.

It’s infrastructure, not fireworks.

Startup culture trains people to chase novelty instead of necessity.

But the world doesn’t need infinite novelty. The world needs things that work.

The startup personality is often a substitute for character

This is the spicy truth:

A lot of founders are addicted to performance.

They don’t want to build.

They want to be seen building.

They want the founder hoodie. The podcast. The “thought leadership.”

They want to post the hustle while quietly outsourcing the hard parts.

In weightlifting, we call that “ego lifting.”

The guy who loads the bar for Instagram and can’t control the descent.

Real strength is slow. Unsexy. Repetitive.

You earn it with progressive overload, not motivational quotes.

Same in business.

The future belongs to builders who can do the unglamorous reps:

• customer support
• shipping
• iteration
• maintenance
• documentation
• reliability
• trust

Not hype cycles.

So what 

is

 the future?

If startups aren’t the future, what is?

1) Small, profitable, owner-operated businesses

The future is not necessarily a unicorn.

The future is the quiet killer:

• profitable
• independent
• cash-flowing
• durable
• controlled by the person who built it

A one-person company with real margins is more powerful than a 30-person company burning investor money while praying for a miracle.

Freedom beats vanity.

2) Protocols and networks that nobody “owns”

The real future looks less like corporations and more like protocols.

Open systems. Interoperable tools. Things that don’t require permission.

This is why I’m obsessed with Bitcoin:

not because it’s “a startup,” but because it’s the opposite.

It doesn’t need a CEO.

It doesn’t need a founder to bless your access.

It doesn’t need marketing.

It’s just… running.

That’s the future: systems that outlive personalities.

3) Craftsmanship and obsession

The future belongs to obsession.

The people who keep showing up when the algorithm stops clapping.

Photographers who shoot daily for ten years.

Coders who refine a tool until it’s clean.

Teachers who make students dangerous—in the good way.

Builders who create objects that last.

We have an economy that rewards shallow attention.

But the future will be built by deep attention.

4) Personal sovereignty

Here’s the most underrated truth:

The most important “startup” is you.

Your body.

Your mind.

Your skills.

Your ability to produce value without begging.

If you can lift heavy, think clearly, write sharply, build useful things, and stay calm—

you’re already ahead of 99% of the “startup ecosystem.”

The future belongs to the sovereign individual:

• strong
• skilled
• disciplined
• independent
• able to create and adapt

A hardcore alternative to startup culture

If you want something actionable, here’s the anti-startup playbook:

1. Stop pitching. Start producing.
   Pitch decks don’t move the world. Products do.
2. Stop optimizing for valuation. Optimize for usefulness.
   Valuation is a hallucination. Usefulness is real.
3. Stop chasing exits. Build a fortress.
   A business that prints cash gives you options.
4. Stop worshiping speed. Worship consistency.
   Do the reps. Ship weekly. Improve daily.
5. Own your distribution.
   Email list. Website. Real relationships. Not borrowed platforms.
6. Lower your burn. Increase your resilience.
   If you need a funding round to survive, you’re not building—you’re gambling.
7. Stack real assets.
   Skills. Tools. Health. Savings. (And yeah, I stack sats too.)

The mic drop

Startups aren’t “the future.”

Startups are a tool—sometimes useful, often overrated, frequently destructive when treated like a religion.

The future is built by people who:

• don’t need permission
• don’t need applause
• don’t need a pitch competition to feel alive

They build because building is what they do.

The future is not a demo day.

The future is day after day after day—reps, repetition, refinement, reality.

So if you’re tired of the startup circus?

Good.

Pick up the camera.

Pick up the barbell.

Pick up the keyboard.

Pick up the shovel.

Build something real.

And don’t ask if it’s “venture scalable.”

Ask if it’s life scalable.

— Eric Kim